RE: Vision 2000

From: Bullard, Claude L (Len) (clbullar_at_ingr.com)
Date: 26 August 1999



Some combination of the kind of system Andy Best put up for creating avatars with the same approach to stock sets, gesture types, and then getting the text and sound to the screen would be ideal. IOW, components. Community theatres usually don't build everything from scratch. The problem has been having to do months of VRML work before the story could be done or finalized. What is needed is closed to the improv world where sets and characters can be quickly assembled and scripted. Then consider how series work. Having to read text while watching action is a bummer, but without good sync sound, it is still doable given some attention to where text goes, how dense it is, when the actions occur (as we have discussed, clever cameras).

The CyberTown morph hunt was funny. In the middle of live events, these morphs would popup, spout their polemics, do their tricks, then run away. The community had a contest to hunt them down. It was like performing for Ernie Kovacs. Kovacs is a revelatory guy to study. He was one of the first to quit treating TV like bad movies, and began to exploit the media itself for its unique features (eg, taping a kaleidoscope
to the end of a camera, pasting his hair down and hanging himself and the camera upside down to do gravity defying skits).

Len Bullard
clbullar_at_ingr.com

Ekam sat.h, Vipraah bahudhaa vadanti.
Daamyata. Datta. Dayadhvam.h

> -----Original Message-----
> From: Dennis McKenzie [SMTP:dennism_at_alaska.net]
> Sent: Wednesday, August 25, 1999 10:00 PM
> To: vrml-lit-list_at_kith.org
> Subject: RE: Vision 2000
>
> >The vrml-lit community should build a suburb in CyberTown
> >as a place to perform.
>
> Whee! Second that.
>
> Dennis
> Geometrek VRML solutions - http://geometrek.com



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